Archive for November, 2006

COMMENTARY: Hormel and the other kind of Spam

Wednesday, November 29th, 2006

hormel.jpgIssue: Hormel has trouble expanding into upscale food
Commentary by: David

Today, Steven Gray at the Wall Street Journal details Hormel’s difficulty expanding its brand into fast-growing niches including healthy and ethnic pre-packaged food. In spite of a solid product and innovative technology, (using high-pressure pasturization instead of preservatives to keep food bacteria free by literally squeezing the bacteria to death) Hormel has struggled to overcome its longtime association with Spam, the difficult-to-characterize almost-meat which is still popular in certain regions and among certain populations in the United States. Adding to Hormel’s troubles is the worry that premium food offerings will alienate core Spam consumers.

It is understandable that Hormel is seeking new markets and new consumers. There may be great reasons for a food manufacturer to diversify and serve more than a narrow slice of the consumers in the grocery store. There may even be operating efficiencies and negotiating advantages to selling more to existing customers (supermarkets and mass merchandisers). There is absolutely no reason, however, to sell these products under the Hormel name, and this advertising blog finds itself somewhat confounded that Hormel would try. Selling premium packaged meats under the Hormel name sounds a lot like bottling wine and slapping a ‘Budweiser’ label on it to us.

Hormel’s problem is simple – its brand will not extend to the new consumers it would like to serve. The solution – creating new brands to narrowly target ethnic food consumers or healthy consumers – should be obvious to any second-year MBA student. But we chose to comment on this issue because it demonstrates a common problem with seat-of-the-pants marketing efforts where most of the brand development work is put behind product and packaging.

Had Hormel spent some time and money carefully considering brand implications of its proposed expansion, it would likely have chosen to build new brands instead of risking the Hormel name. But this kind of work is often lost in the frantic excitement of new product development outside of a handful of disciplined consumer companies like Procter & Gamble. Instead, new product teams choose the seemingly risk-adverse path (using the established brand Hormel to launch new products) to avoid the immediate failure often associated with launching new brands. Instead, these brands end up creating a bigger disaster by endangering the franchises they are built upon as well as failing after launch.

Launching successful new products requires careful brand planning as well as strong product execution. Without the former, the best product in the world will not save the brand – as Hormel has learned.

Charmin Does Something Useful: Toilets in Times Square

Tuesday, November 21st, 2006

charmin-times-square.jpgBrand: Charmin (Procter & Gamble)
Execution: Experiential Marketing
Target: New York Visitors
Rating: *****
Reviewer: David

Description:
Starting yesterday, Procter & Gamble’s Charmin Toilet Tissue is sponsoring free bathrooms in Times Square. The billboard promoting the sponsored restroom says, “You’re in New York. Go in style.” over the brand logo and an arrow pointing to the restroom entrance. There are 20 restrooms including two with disabled access. Each of the restrooms will be hand-cleaned by an attendant after each use. The restrooms will operate until the end of the year and the end of the holiday period.

What Works:
At first glance, the high costs of New York real estate and Times Square billboard advertising might make this experiential marketing tactic (experiential because the restrooms are stocked with Charmin toilet tissue) a risky bet. However the marquis value of Times Square combined with the publicity value of solving a genuine issue for the neighborhood and its millions of tourists (lack of access to clean, free toilets) and the goodwill of consumers makes this a slam dunk from our perspective.

More importantly, it points to an intriguing way for brands to build deeper relationships and more loyalty from their consumers. Find a social problem that fits within your area of expertise. Divert advertising money to solve this problem. Repeat.

At the moment, with temporary and very limited program, Procter & Gamble is just staging the equivalent of a pricey sampling event with good PR for Charmin. But if Procter has a good experience over the next month, the opportunities for the Charmin brand are significant. $100 million spent in advertising against the Charmin brand will boost sales, but only in the short-term. Advertising spending in mature categories with little product news tends to be a zero sum game – someone’s gain is at someone else’s loss and because brand loyalty is relatively low, there is a tremendous danger of promotional activity sparking a price war which hurts everyone’s bottom line.

Charmin as the sponsor of clean, free public toilets in places where they are hard to find nationwide would have a different profile. The brand could find intense loyalty from grateful consumers who have been spared the indignity of pleading with a surly bartender or restaurant owner and parents who might otherwise be cleaning up a bigger mess. It would also be very difficult for other toilet tissue brands to copy Charmin’s move.
What Doesn’t:
As any big-city mayor knows, great execution of public services is everything. If the Charmin bathrooms are really kept spotless and if Procter & Gamble have correctly anticipated demand and manage to avoid excessively long lines, Charmin will benefit greatly from this promotion. Bad execution will hurt the brand and damage its hard-won credibility.

A bigger problem may be the planned closing of the project just after the holiday season. The need that the Charmin restrooms are filling in Manhattan will not disappear as 2006 passes into 2007. Charmin risks consumer alienation by closing these restrooms if they are successful. This advertising blog strongly suggests Charmin rethink this policy and keep the restrooms open long enough at least to judge whether they can have a continued impact on the brand. If the answer is “yes,” Charmin should divert some money from television advertising and expand to other markets and needs.

Branding Bottom Line:
Charmin makes Time Square more friendly. Consumers are grateful.

COMMENTARY: What Steve Jobs Knows and You Don’t

Wednesday, November 15th, 2006

zune_player.jpgIssue: Microsoft introduces Zune
Commentary by: David

Yesterday, Microsoft launched Zune. Zune is a music/video player which Microsoft hopes can gain a foothold against the Apple iPod. We saw the Zune in person early last week. It is a slick, attractive little device. It has an impressive screen and easy-to-use controls. It can share songs wirelessly and has integrated software. In short it is impressive. And we believe without doubt that it will fail to dislodge Apple and iPod from its leadership role in this industry.

This is not because iPod has a head start. In fact, the story of the IBM PC itself (and much more recent work on the development of the Internet) confirms that the ‘first mover’ advantage is largely mythical. The difference between Zune and the iPod is deeper – a matter of marketing philosophy. Early reviewers of Zune like Walt Mossberg and Stephen Wildstrom sense this fundamental difference between iPod and Zune without being able to put their fingers directly on it.

So what does Steve Jobs know that Steve Ballmer doesn’t? Jobs understands that it’s not about the big picture – it’s about the details. iPod is a better brand than Zune not because the product strategy behind iPod is better (by embracing sharing, Zune may have the better business model), but because the attention to details is superior. Microsoft as a company believes in bringing innovation to the consumer as soon as possible. This comes with flaws, bugs and glitches, but the company makes a conscious tradeoff between degree of done-ness and time to market. Apple doesn’t release products until it believes it has perfected them to the smallest detail. Such is Apple’s obsession with detail that they have invented new manufacturing processes in order to make working products mirror their idealized concepts in execution.

You could say that this is micromanaging and it undoubtedly is. Did the second-generation iPod Nano really need an aluminum skin? No. Did the iMac need to be sheathed in transparent plastic? Certainly not. And yet it is just these details that make the product original and authentic.

Microsoft follows a different path and that is evident with Zune. The case is elegant, but larger than the iPod. The online store creates an intermediate currency “Microsoft points” which have a strange exchange rate with the dollar and seem to do nothing more than add a level of complexity to the process of purchasing music for the Zune. WiFi sharing works easily, but shared songs expire after three plays. And on and on. While each of these foibles is the result of a well-meaning compromise (the sharing issue is a compromise on protection for copyrighted music, for instance), they are clearly compromises and they compromise the design and usability of the Zune.

What Steve Jobs knows that we don’t is that we care more about the small details than the big issues. We love things that feel right, that reward us with an easy and engaging user experience. We cue on small things to build our opinion about the big issues. Most of all, we like things that work 100% at advertised. Even 99% feels like not half as much.

Kraft Revives Scratch ‘n Sniff

Tuesday, November 14th, 2006

kraft-ads.gifBrand: Kraft
Execution: Print
Target: Women 25-54
Rating: ****
Reviewer: David

Description:
For the fourth year, Kraft is sponsoring a special holiday issue of People which is being sent to 1mm of People’s 2.3mm subscriber audience (the mid-life women).  The issue will feature ads for Philadelphia Cream Cheese, Chips Ahoy, Jell-O and cinnamon coffee which are embedded with ‘rub and sniff’ technology (the successor to ‘scratch ‘n sniff’) allowing consumers to smell the aroma of fresh cheesecake or coffee.  The new technology apparently prevents the premature release of the scent during the delivery process.  For more see Brian Steinberg’s article in the Wall Street Journal here.

What Works:
In his well-regarded book Brand Sense, Martin Lindstrom reminds us that most marketing activates only two of the five senses – sight and hearing.  Smart marketers with tangible products can use touch, taste and smell to add to the brand experience.  Mercedes, for instance, has patented its ‘new car smell’ which is added to each new Mercedes after production.  Scientists also know that smell is the sense most closely linked to memory, so it makes sense that brands ought to use smell as a marketing tool.  This is woefully difficult with packaged goods products whose scents must often remain hidden through the purchase experience only to emerge in the home.

Kraft has overcome this problem by turning back to a modern update of an old tactic – the scent-impregnated print ad.  In this modern incarnation, the scent is imbued on a portion of the page which can be rubbed to bring it forth.   The scent is also apparently more lifelike and less irritating than older versions – although we have not yet seen this execution in person.

We applaud Kraft for its forward-thinking approach to marketing.  Rub and sniff may be no more than a novelty at the moment, but it has the potential to enrich the advertising experience.  This advertising blog appreciates marketers who find innovative ideas in the past as well as in the future.

What Doesn’t:
It all comes down to execution, and technologies like ‘rub ‘n sniff’ are tricky.  If the odors of the food fail to remind us of home-baked alternatives, the energy spent behind this campaign will have been entirely waisted.

Branding Bottom Line:
Kraft has us nostalgic for hula-hoops and 8 track tapes.

The Many Lessons of Scion

Friday, November 10th, 2006

scion.jpgBrand: Scion (Toyota)
Execution
: TV, In-Theater, Viral, Web
Target
: Young, Hip & Driving
Rating
: *****
Reviewer
: David

Description:
Scion is an automotive brand of Toyota which has used innovative marketing techniques including viral, experiential, event marketing and branded entertainment (Scion has a record label and ‘Scion Release’ – a clothing line’). This week, Gina Chon at The Wall Street Journal reported that Scion will reduce production to avoid surpassing its target sales goal of 150,000 cars for the year. Scion will also reduced its television advertising and steer it entirely off of network television to hipster late-night cable shows like ‘Adult Swim’ on the Cartoon Netwook.

What Works:
We write about Scion not because of the advertising we link to (which will probably confuse most adults over 25) but because Scion has excellent lessons for the modern marketer. More than many other brands targeting young adults today, Scion has understood that ubiquity and brand strength are not complementary goals and has been willing to forego the former to gain the latter. The very brave decision to scale back manufacturing to avoid oversaturating the brand shows both the intelligence of Scion marketers as well as the commitment of Toyota executives to the brand promise.

What does Scion do differently? By the numbers:

  1. Thin-Slicing – We’re using this term differently than Malcolm Gladwell in Blink, but it is an equally apt description of how Scion has come to dominate a specific subculture of the youth market. Instead of lumping all teens together or blithely assuming that “trend-setters” can be identified by their number of MySpace friends, Scion thought very carefully about the attitudes and beliefs of the consumers it wanted to reach and then instead of pre-judging which people would share these it designed the product and the marketing campaign to appeal very narrowly to these people. It did not worry about broad acceptance or consider conventional taste in designing these cars, one of which looks like a toaster on wheels. Finally, the decision to scale back production when the car was set to exceed targets by 20% was a bold assertion of Scion’s willingness to leave some dollars on the table to preserve the exlusivity of the brand.
  2. CrowdSourcing – This advertising blog apologizes for picking up a buzzword, but Scion has been very clever in the way it has drawn its consumers into the brand (we could also think of this as an engineered ‘Brand Hijack’ on the terms of Alex Wipperfurth). This starts with the conception of the cars themselves. Scion realized that a huge trend among young drivers was customization. Instead of overdesigning the three Scion models, the marketers underdesigned the cars and essentially made them platforms for accessorizing (on the tC for example offers an LED light kit allowing owners to project multiple colors in the footwells of the car.) Instead of sending Scion buyers to aftermarket accessory manufacturers to personalize their cars, Scion lets them accessorize in the showroom (or on the Internet). Then Scion carefully watches how those consumers are designing their cars and uses the information to inform their marketing and product design. This means that the accesories business for Scion is higher-margin than the car sale and the flow of data to the marketing group is extremely rich. Scions marketing efforts cultivate this attachment in indirect ways as well. The Scion recording label, for instance, is dedicated to emerging artists. By supporting these artists, Scion gains cachet with them and they help Scion stay connected to the culture of its core users.
  3. Stealth Marketing – Perhaps no other $2 billion dollar brand has gone so unnoticed by so many people outside its immediate target market. The precision of Scion marketing is attested to by the fact that it has been eminently possible for many of us in the marketing profession to miss contact with the brand altogether. Scion embraces this lack of ubiquity, happily preferring to be intensely liked by the few (with just 150,000 new customers this year) rather than moderately well liked by the masses. This is a good recipe for sustained gross margins.
  4. Experimentation – Scion’s move away from mainstream television advertising and increasing focus on experiential and event marketing shows that they are not afraid to experiment and move quickly to redirect money where they have success. Nimble brands do not hesitate to make mistakes but learn from them quickly. Toyota’s willingness to allow Scion to make major commitments in marketing practices the rest of the brands do not use stands in stark contrast to the rigidity of the Sony approach to the digital music industry. As a result, Scion is poised on the top of the emerging youth car market while Sony has lost the music wars to Apple.

What Doesn’t:
The difficulty in maintaining a youth brand is that youth culture changes quickly. Scion might be smarter to age with their current audience than to attempt successive Madonna-style reinventions each decade as a new group of drivers is minted. While we feel that Scion marketing is dead-on at the moment, preferences will change as will the style of the users. We are personally waiting for those droopy pants and exposed male underwear to go the way of the Zoot Suit.

Branding Bottom Line:
Scion marketers are the smartest guys in the room.

Nissan Sentra Gets its YouTube On

Friday, November 3rd, 2006

new_sentra_frprt.jpgBrand: Nissan Sentra (Nissan)
Execution: TV, Blog
Target: Young Drivers
Rating: *****
Reviewer: David

Description:
Nissan creates a new TV campaign for the Sentra featuring San Francisco native and photographer’s assistant Mark Horowitz living in his Sentra for a week. The seven spots are each entitled “A short film by Marc Horowitz”. Each is narrated by Mr. Horowitz and features his different experiences during the week. Horowitz adopted the following rules for his Sentra challenge:

I also set a bunch of rules for myself so the project is a little more challenging and has some boundaries. Here they are:

  1. I must live 7 straight days out of my Sentra. I am free to come and go from the Sentra as I please.
  2. I must not return to my apartment at any point during the 7 days.
  3. I must assume my normal day-to-day responsibilities including work and all scheduled client meetings.
  4. I must personally prepare at least 4 meals within the immediate vicinity of my Sentra.
  5. I must go on at least one date. Hopefully more.
  6. I must not let anyone else drive my car for the 7 days.
  7. I must sleep in a different location each night. Once the location is chosen I must not move from it.
  8. I must not set foot outside of my car for any reason from 12am to 5am.
  9. I must host at least 2 social functions in my Sentra. One must be on or after Day 6.
  10. I must maintain the highest standards of personal hygiene.

The spots bias towards comedy with Marc Horowitz showering in a sprinkler, cooking in a parking lot, going on a date with a girl who asks “Do you live in here?” and setting up an amateur autocross.

What Works:
We were most interested in this series of spots because it appears to have sprung from ethnographic research by Nissan. Adweek reports that the genesis of the campaign was a study of photos of Sentra owners which revealed that many of them were using the cars as rolling closets, carrying sports equipment, gym clothes and food among other things. That insight combined with the explosion of user-generated video on sites like YouTube and MySpace persuaded Jan Thompson, Nissan VP of Marketing to challenge Marc Horowitz to live in a new Sentra for a week and report back about it.

The spots are well executed and walk the tricky line between documentary filmmaking and advertising reasonably well. There is no pretense that the challenge and the spots are intended to do anything other than promote the Nissan Sentra, which helps. The spots are funny and engaging, which helps even more.

Most importantly, though, Nissan has reconceived the ‘product-as-hero’ form of advertising in a fresh new format. Instead of talking about the Sentra’s roominess or describing its bluetooth hands-free dialing, we see Marc Horowitz sleeping in the car and ordering pizza. This strikes us as a much more sensible way of showing the ‘permission to believe’ for the brand proposition than stating claims like “most interior volume in its class’ outright. The conventional approach always sounds to us like a comedian getting up in front of an audience and saying, “I’m really funny – ask my friends.”

The brand positioning here is around the user. Instead of trying to find someone to showcase a user demographic, Marc Horowitz personifies the psychographic profile of the user Nissan wants to embody for the Sentra. And it works. It is very difficult imagining Honda or Toyota following this route with the Civic or the Corolla.

What Doesn’t:
Six agencies including Omnicom Group’s TBWACD, OMD, Tequila, The Vidal Partnership, Edelman and The Designory were involved in this campaign. Given that and the slick production values, effects and professional editing of this spot make us uncomfortable with the tag, “A film by Marc Horowitz.” We do not know what part of the creative and editorial process Marc Horowitz assumed but unless he was the actual director (which is somewhat harder to imagine with the collection of high-priced talent that must have been surrounding him), then this campaign is not a series of independent films by Marc Horowitz. This damages the authenticity of what is otherwise an excellent effort.

We also think the blog is a bit bare for the musings of someone who had a full week to spend in his car (presumably with some of the time spent by WiFi hotspots.) This also raises the spectre of outside authorship, as does the involvement of PR giant Edelman which has been recently outed as the backer of a pro-Wal-Mart blog.

We raise these issues because we feel that when large brands venture into user-created content, transparency is absolutely critical. This advertising blog does not feel that collaboration between an individual and advertising agencies is necessarily bad. But to properly evaluate the product, consumers must understand how much of the work is the individuals and how much is the brands. Numerous relevant questions are left unanswered by this campaign including how Marc Horowitz was chosen, whether he has created independent films before and who exactly was filming him. While these questions would never be answered in the TV spots, we would expect to read more in the blog.

Branding Bottom Line:
Nissan gives us My Life, My Car with a little too much new car smell.

Garmin Serves Up a Holiday Scare

Thursday, November 2nd, 2006

garmin-moose-3-guys.jpgBrand: Garmin nuvi (Garmin)
Execution: TV
Link: Click Here
Target: Holiday Drivers
Rating: ****
Reviewer: David

Description:
A car approaches a moose on a dark, snowy road as we hear a woman begin to sing a familiar Christmas carol. A man is driving this car while trying to read a map. He is unhappy and looks lost. The music to the Christmas carol is familiar, but the words are not. The woman, soon joined by a choir, sings, “Look, there’s a moose, give me a noose. I’m lost again, where’s highway ten. This isn’t good, bad neighborhood.” The man drives unhappily and repetitively through several bad neighborhoods and by the moose again before the spot cuts to a shot of the Garmin nuvi and the Garmin.com url as the choir chants “Give a, give a, give a, give a Garmin.”

What Works:
Garmin and Fallon give us a scary, tasty confection for Christmas, appropriately breaking just before Halloween. The scenario proposed by this spot is familiar to most drivers. When we are alone in an unfamiliar place at night trying to read a map and drive, this Garmin spot fairly illuminates our inner fears (even if the scariest thing we actually see is a new shopping mall.) As such, the proposition for a GPS unit is succintly made and extremely effective.

The production values of this spot are also top notch. The visuals are engaging and the pacing is crisp. The spot has moments that might be lifted from ‘The Texas Chainsaw Massacre’ which adds to its quirkly appeal. The entertainment value of this spot does not come at the cost of the advertising message.

What Doesn’t:
While we love the advertising message in this spot we must say that it is a category benefit message. The entire spot works to tell you that getting lost at night during the holidays could be a bad thing, therefore getting a GPS would be a good thing. This advertising blog understands that building the category might be the best course for Garmin at the moment but advertising of this sort benefits everyone selling GPS units and not just Garmin. Garmin will need to begin to develop a unique brand positioning which is based on more than features and benefits of the GPS units as it moves forward. Another concern is the brand recognition. While it is helpful that the woman and the chorus sing “Garmin” and that the spot seeks an action (buy a GPS on Garmin.com), the Garmin brand shows up only in the last few seconds of the spot.

Branding Bottom Line:
We want a Garmin in our stocking this year.