Toyota Tacoma in the World of Warcraft

October 18th, 2007

wow.jpgBrand: Toyota Tacoma (Toyota)
Execution: TV
Target: Young Men
Rating: ****
Reviewer: David Vinjamuri

Description:
The spot opens up showing a World of Warcraft game screen with three players.  They are chatting as they might do during a game session for this massively multiplayer online role-playing game (MMORPG).   The three are preparing to battle a dragon.  The first says, “I’ve gone ahead and equipped my Epic Axe.”  The second, (a female avatar but a male voice) replies, “switching to explosive arrows.”  The third says, “Yeah, I’m gonna equip myself with a little - uh - FOUR WHEELS OF FURY!!”  and suddenly his character is inside an animated Toyota Tacoma.  “No Way,” the first character says.  “There’s no trucks in World of Warcraft,” the second complains.  The character drives forward in the Toyota until he confronts the dragon, saying “let’s do this!”  The dragon swallows the Toyota Tacoma and the other two characters groan.  A moment later the dragon clutches his chest and the Tacoma bursts forth from the monster’s chest as it collapses.  The dragon’s heart is in the flatbed of the pickup.  “Did you see me lay down the Law?” the character in the Tacoma gloats, “I am the lawgiver!”  The spot ends with the Tacoma name and the Toyota Trucks logo as a character says, “I gotta get one of those.”

What Works:
This brilliant “product as hero” spot for Toyota Tacoma builds exceptionally well on a well-established campaign displaying Toyota Tacoma’s durability in cleverly imagined fantasy situations including being hit by a meteor, attacked by the Loch Ness Monster and crushed by a robot at a monster truck rally.  These spots all looked extremely realistic and gave the Toyota Tacoma a sense of being larger than life.

This new spot cleverly reverses the paradigm, putting the Tacoma into the wildly popular World of Warcraft backdrop.  Toyota shows an understanding for the environment as the action parodies real gamers realistically.  The result in the game, as in the other spots, is that the Toyota Tacoma emerges unscathed.

This interesting and clever spot will be much more arresting to the young male demographic Toyota is seeking because of its portrayal of the in-game environment of World of Warcraft.  The brand positioning is consistent with earlier executions and the pitch builds on the establishing work of the earlier spots.  Toyota again shows (as it has done consistently with the marketing for the Scion) that it understands new media environments.

What Doesn’t:
We don’t see many weaknesses in this advertising from Toyota, but it is important that Toyota continue the “fantasy tough” campaign with the elegance and flair observed in this and previous spots.

Branding Bottom Line:
Toyota finally slays the beast - but it’s not GM.

COMMENTARY: NYU Announces Brand Extension with NYU Abu Dhabi

October 12th, 2007

nyu.JPGSubject: NYU extends its brand with full campus in Abu Dhabi
Commentary by: David Vinjamuri

NYU announced today finalization of an agreement first reported in August with the government of Abu Dhabi to open a full-fledged liberal arts campus in the Middle Eastern kingdom. NYU President John Sexton calls the campus, “the first comprehensive liberal arts campus to be operated abroad by a major U.S. research university,” commenting also that, “the costs, planning, design, building and all expenses related to the operation of NYU Abu Dhabi will be assumed by the government of Abu Dhabi.

This is an astonishing move for an elite academic institution, particularly given some of the natural concerns that arise from the funding plan for the campus (see below). It is, however, a logical move for NYU given the myriad troubles that current immigration policy has given U.S. research universities attracting both overseas students and researchers, particularly from the Middle East and North Africa. Many U.S. universities operate campuses abroad, primarily to allow their U.S. based students to study abroad and create centers of expertise in areas that make sense for these. The NYU move is revolutionary because it will fully extend the brand to another country

This also creates real danger for the NYU brand, which will for the first time not be entirely in the hands of the U.S. administration. Although the program will be created entirely by NYU, relying entirely on funding from a single source - an overseas government at that - creates the long-term potential for divergent interests between NYU and the government of Abu Dhabi.

In branding terms, NYU is creating a line-extension (although it could be argued that they’re simply increasing distribution for their current brand) by creating a campus with an entirely different business model in Abu Dhabi. If this new campus fails to have the same academic rigor or intellectual freedom as NYU in New York, it will hurt the brand for NYU. But globalization is a natural step for strong U.S. educational brands and NYU is aggressively pursuing this goal.

Disclosure - I am on the Adjunct Faculty of NYU - but I was in no way involved with creating plans for the Abu Dhabi campus.

Dove Onslaught - The Campaign for Real Beauty moves forward

October 8th, 2007

dove-onslaught.JPGBrand: Dove
Execution: Cause Marketing Viral Video
Target: Mothers with young daughters
Rating: ****
Reviewer: David Vinjamuri

Description:
On this viral video launched in the U.K., a series of rapid images from the fashion and beauty press and the media assaults the viewer. Intercut with these stills, we also see a woman on a scale gaining and losing weight rapidly and repeatedly. The spot concludes with a shot of schoolgirls walking across a street and a message saying, “Talk to your doctor before the beauty industry does.” The branding is for the Dove self-esteem fund.

What Works:
In some ways, we like Onslaught - the evolution of the Campaign for Real Beauty - better than the original. By graphically showing us the effect of glamorized representations of beauty on young girls, Dove and the Campaign for Real Beauty get to the heart of the problem with the beauty industry today - that it is based on a rejection of one’s one body and an acceptance of unrealistic standards as the beauty ideal. The results are well-documented, from low self-esteem to anorexia and bulimia. This issue has gained momentum in the time since the original Campaign for Real Beauty was launched as fashion runways in Spain and other countries have banned models who are unhealthily thin.

Dove does a very good job of stepping back to the front of the line with the Onslaught viral video. This U.K. viral execution of Onslaught is most likely being used to test the waters for a larger global launch of the new campaign. It fits perfectly with the original branding strategy behind the Campaign for Real Beauty and will help Dove continue to solidify its hold on the moral center of the cultural debate over beauty standards.

What Doesn’t:
Dove may sadly underestimate the overall effect of this campaign on its business strategy and its brands. While the specific Dove brands which sponsor the campaign for real beauty may mirror its philosophy, Dove is still indisputably a beauty company. Many of the products the company makes fall into the category that the Campaign for Real Beauty is implicitly criticizing. They are not the worst offenders, but products meant to make you look younger, firmer or healthier all capitalize on low self-esteem and rest on dubious scientific ground. Dove should consider selling off lines which don’t meet the criteria for this campaign, and dedicating the company to products which fit the new brand promise.

Branding Bottom Line:
Brilliant campaign could save the brand and kill the company.

Volvo on the Small Screen: Mr. Robinson’s Driving School

September 27th, 2007

volvo-c30.jpgExecution: Web-Based Video Series
Target: Bored Middle Income Car Buyers
Rating: **
Reviewer: David Vinjamuri

Description:
A full-blown sitcom broadcast on the MSN entertainment network on the Web, Mr. Robinson’s Driving Academy is a creation of Volvo Cars North America, a business unit of the Ford Motor Company. The series follows the adventure of the hapless owner of a small driving school who is drafted into a competition with his slimy cross-town rival to win the job of the boss of the retiring driving mega-school. Craig Robinson brings a new Volvo C30 to the competition. As of this date 8 mini-episodes have been posted on the website.

What Works:
This format - short, serial webisodes which are essentially branded entertainment - shows a great deal of promise. This advertising blog was impressed with Brawny Academy, an online reality show miniseries created by Fallon. If the entertainment value is there, consumers will engage with online video more fully than they will with television ads.

Indeed, we would like to see more advertisers creating their own web-based entertainment. The sitcom is not dead, merely hybernating as the popularity of reruns from the past decades has proven. As TV has turned to drama, sci fi and reality shows, the opporunity for web-based sitcoms grows.

What Doesn’t:
Unfortunately, Mr. Robinson’s Driving Academy doesn’t meet the minimum requirements for successful entertainment. This thinly acted, poorly plotted series would never have reached pilot stage if it had been destined for network or cable television rather than the Internet. Volvo makes the mistake of applying a lower standard to online fare than it would expect in tradional media. In reality, Mr. Robinson’s Driving Academy must compete with regular television shows if it is to lure consumers to MSN regularly. The Volvo integration is also not ideal. Although the car is introduced with some good-natured self mockery, it is just too contrived.

Branding Bottom Line:
Mr. Robinson’s Driving Academy is the Pinto of branded entertainment.

COMMENTARY: Kmart shows the danger of the middle line

September 20th, 2007

Laura Landro (wsj.com)Issue: Over-Aggressive Retail Efforts to Avoid Shrinkage are Bad Branding and Worse Business
Commentary by: David Vinjamuri

Somewhere in Eddie Lampert’s offices in Greenwich, Connecticut (or possibly in the Sear/Kmart corporate offices in Illinois), a financial analyst has been hard at work figuring out the most efficient way to eliminate shrinkage. Shrinkage combines employee theft with consumer theft, and includes tag-switching and other scams which cost the retailer revenue. At Kmart and other retailers around the country, harsh anti-shrinkage measures have made a very small dent in the actual amount of shrinkage in stores (it only barely declined from 1.59% of total retail sales in 2005 to 1.57% last year), while increasingly alienating consumers and hurting their own brands. But the gross numbers ($40.5 billion of shrinkage last year) command attention and attract cost cutters like pie attracts ants at a picnic.

Efforts to improve the bottom line (revenue) by focusing on the middle line (cost) at the expense of the top-line (sales) are very typical in companies and industries controlled by managers whose primary training is in finance and accounting. Public companies, whose ability to raise capital may be dependent on the stock market (and thus dependent on the opinions of often brand-illiterate stock analysts) are very likely to pursue many middle-line business strategies with dubious medium to longterm value to the enterprise. Ask any corporate veteran who has survived a few rounds of layoffs about the experience and he will tell you that employment levels almost always return to the pre-layoff level in a year or two. In the meantime, morale and productivity usually decline, the best workers head for other companies and the most seasoned employees opt for early retirement. In the past few years, as more companies come under the sway of private equity, and thus the control of financial analysts, these various middle-line strategies have multiplied.

A Wall Street Journal article by Laura Landro today illustrates the very real danger for brands that pursue cost reduction while ignoring the damaging efforts on consumers. Shrinkage is difficult to combat because the perpetrators live little evidence. Only by catching someone who has just purchased items after switching or repricing the tags or who has just left the store can retailers stop the theft. Catching outright shoplifters caught on video only reveals the tip of the iceburg - for a store to get to the more common and higher value crimes it has to look for people switching tags or boxes.

The problem with this type of enforcement is that it requires behavioral targeting and - just like those security checks on last-minute ticket buyers at the airport - ends up netting innocents along with real criminals. Ms. Landro was one of those caught when she was unable to find a box for the flip-flops she was purchasing. When she grabbed a nearby box with the wrong items inside (children’s shoes) and assumed it was the correct box for the flip-flops and then proceeded to the register, she unwittingly became a victim of Kmart’s aggressive enforcement policies. She was detained by a security guard, questioned harshly and banned from the store. She was told she would be fined and her credit card and driver’s license were temporarily seized.

Most interestingly, from a branding point of view, nobody at Kmart apologized to Ms. Landro at any moment, even after learning that she was a journalist. In fact, the chain maintains it has ‘done the right thing’ - meaning that it did not break the law. Not breaking the law when dealing with a loyal brand user might be called ground zero for brand practices.

What did Kmart get for its zealous anti-shrinkage efforts? It may recover the $8 or so that Laura Landro deprived them of when she walked out the door. But even a short term valuation on this transaction reveals that Kmart made a mistake. Laura Landro purchased over $800 at the store that day. Even at Kmart’s anemic margins, the store will lose more that it has gained if she skips just one repeated shopping trip than if she had walked away unmolested. Unsurprisingly, Ms. Landro has vowed never to return to Kmart.

As Ms. Landro was a Wall Street journal feature writer, the damage to Kmart goes well beyond her isolated incident. Her story will be read by thousands of Journal subscribers, not just potential customers but bankers, suppliers and others who Mr. Lampert depends on for the livelihood of his business at Kmart. It is very difficult to calculate the damage that a simple act of overaggressive policing on Kmart’s part may have caused. It is impossible to calculate the cumulative damage to brand equity that thousands of these incidents a year cause to Kmart and other retailers.

Ms. Landro is not the typical consumer and it is true that most of Kmart’s actions may prevent real and intentional theft. But the value to the brand of such enforcement past the obvious is dubious, and the cost is potentially huge. The culprit is this middle line thinking. And it is pervasive in the retail sector. Consumers owe the worst packaging in the world to middle-line thinking - the hard plastic containers that encase high price items in supermarkets and electronics stores. Why are these items so hard to open? So that thieves will find it harder to remove security devices from them. To stop this type of pilferage, even respectable chains like Best Buy and Circuit City routinely injure their own loyal customers (this packaging is difficult to open even with good scissors, and often results in cuts for the consumer). They never stop to consider the added revenue they might realize from being known for easy returns, great packaging and unsuspicious customer service.

Kmart may rightly say that its shrinkage prevention policies prevent millions of dollars in losses to the company. Yet the enduring damage to the brand done to Kmart by enraged customers like Laura Landro costs tens of millions in lost sales. Some retailers know better. Nordstrom long ago realized that a looser approach to returns (another area commonly used to defraud retailers with mis-returns) netted them positive ROI as customers were more willing to risk larger purchases and might even purchase again when making a return. Indeed, Nordstrom has accepted tires for refund, even though the chain has never sold them.

The lesson here is that incomplete analysis can be worse that common sense or gut-level instincts. Chains can quantify the cost of shrinkage, but they cannot easily quantify the cost of apprehending customers who have unintentionally cheated the company for small amounts of money. Or even completely innocent customers who merely engage in some behavior that looks suspicious to the retailer. So these retailers choose to minimize the costs they can measure. In doing so, they ignore common sense (would any mom-and-pop shop have detained a customer over an $8 mistake on an $800 purchase?). It is bad branding and bad business.

COMMENTARY: Allstate Steps Forward

September 12th, 2007

allstate-logo2.gifIssue: Allstate tests dynamic ad serving to television sets with Video-On-Demand
Commentary by: David Vinjamuri

Just a few years ago, the advertising model was simple.  Marketers engaged advertising agencies to create 60,30 or 15 second spots for television, print ads and radio spots.  We dabbled in small volume projects like outdoor advertising and had special groups to place banner ads on the Internet and explore new media.  But we could all be certain that the only way to get on Friends or E.R. was to buy time from the television network.

Suddenly, life is a lot more confusing.  Lost, 24, Heroes and the other big cultural series can be found in multiple places.  We can watch them live, record them on our DVRs, stream them on the Internet from network websites, purchase individual episodes on iTunes (at least until NBC yanks its shows as it promises to do soon) or watch them on video-on-demand.  And increasingly our marketing budget is moving away from the simple :30 second spot that we grew up with.

It’s good news that forward-looking marketers like Allstate are trying to make sense of this mess by exploring new advertising options as they emerge.  Brian Steinberg at Advertising Age reports this week that Allstate and its agency Ogilvy have been testing dynamically inserting ads into video on demand shows in the St. Louis market.  The agency has chosen to use direct response ads, because they offer the best chance for measurement (because they ask the consumer to take a specific action which can be measured in addition to overall viewership).  Not surprisingly, Allstate has found that shorter spots work better, and more entertaining ones are more effective as well.

What’s more important is that marketers like Allstate are actively engaging with new media opportunities and trying to understand how they work.  Video on demand is a significant opportunity because it allows the cable provider to dynamically insert ad units which could eventually be targeted to a home based on viewership patterns.  Much like the opportunity of digital video recorders, few marketers have really scratched the surface of this technology.  It is not surprising, given the rapid development of the media model and the bewildering number of options available to marketers.  But this creates opportunity, and daring marketers have a unique chance to create new forms of advertising with modest investments of money and larger investments of time and creativity.

Sprint Gets inside Manning’s Mind

September 7th, 2007
peyton-manning.jpg

Brand: Sprint

Execution: Online Game
Target: NFL Fans
Rating: ***
Reviewer: David Vinjamuri

Description:
This is the online extension of an advertising campaign we will review separately.  Manning’s Mind is an online NFL trivia game which pits you against Indianapolis Colts’ Quarterback Peyton Manning.  The game is structured using trivia questions to determine the outcome of basic football plays.  Players can choose different difficulty level questions which correspond to different yard gains.  They then have a few seconds to hit a buzzer before Manning answers the question for them and wins the play.  There is a leaderboard and the ability to issue challenges to friends.  This promotion supports NFL Mobile service on Sprint.

What Works:
Manning’s Mind is a well-executed online game which is easy to understand, playable and engaging (if you like football trivia.)  It hits Sprint’s target pretty closely by weeding out casual fans pretty quickly with very difficult trivia questions.  The ‘high concept’ of matching Peyton’s mind against your own is a good premise for the game.  This will make a good time-killer for bored office workers.

What Doesn’t:
This game lacks the ‘gotta-have-it’ immediacy of such online classics as Subservient Chicken.  The brand linkage is not strong.  Peyton Manning is a bigger brand in football than Sprint, and it’s easy to miss the Sprint logo above his shoulder on the website.  The connection to the NFL Mobile service is very soft - there is no offer to hook the game user into the service.  We would have expected at the very least to see top online players rewarded with free NFL Mobile as well as a trial offer of some sort.   To this advertising blog, Manning’s Mind looks like another example of solid online properties being wasted because of a lack of strong brand linkage.

Branding Bottom Line:
Sprint’s Marketing Department should have tapped Manning’s Mind.

The Simpsons, 7-Eleven and Kwik-E-Mart make fictional marketing real

July 26th, 2007

kwick-e-mart-chicago.gifBrand: The Simpsons (News Corp)
Execution: Event Marketing
Target: Simpsons Fans
Rating: *****
Reviewer: David

Description:
Eleven 7-Eleven stores nationwide have been transformed into Kwik-E-Mart, the (formerly) fictional fast food mart featured weekly on The Simpsons, a U.S. animated satire that has had a 20 year run and is about to spawn its first movie (The Simpsons Movie) this week.  The stores now sell products seen only on the show like KrustyO’s cereal, BuZz Cola and Krusty Burgers and employees are dressed in bright green outfits familiar to Simpsons fans from the character Apu who works at the Kwik-E-Mart on the show.

What Works:
This promotion (also written up in the Wall Street Journal, Advertising Age and others) is a brilliant reversal of the classic product placement strategy, where real life products are placed into fictional environments.  By placing these brands - which Simpsons brand enthusiasts have developed a real affection for over the past generation - into a real retail environment, The Simpsons has created a brilliant brand experience that allows users to temporarily step inside the world of the Simpsons.

7-Eleven also benefits from this promotion by suddenly becoming a leading-edge marketer and finding a way to make a few of its stores fun and relevant.  The investment for this promotion is relatively modest, as only 11 stores were affected by the redressing - however the Simpsons products like KrustyO’s cereals are being sold in all of the 7-Eleven Stores nationwide, offering 7-Eleven the potential for turning this small promotion into a big profit center.  As Bob Garfield notes, this self-mockery represented a real risk for 7-Eleven, and they are to be commended for it.

For NewsCorp, the buzz and publicity created by this promotion has been fantastic and well-timed.  It is a nice diversion from the normal business of movie promotion which has grown tired from overuse.

Although this may be the first example of fictional products making their debut in the real world, car makers have for years been using racing video games on the PS2 and XBox as a way to concept test the interest in cars aimed at enthusiasts.  Several car models including the Mitsubishi Lancer Evolution were brought to the U.S. market based on interest generated by placement in video games.  In a world where thousands of people make real income in artificial environments (second life) and teenagers spend as much time immersed in the fictional world as the real, we can expect that there are huge opportunities to realize the appeal of fictional brands.

What Doesn’t:
Nearly flawlessly executed, we still think 7-Eleven could have made a more dramatic gesture by moving the promotion out to more retail locations - perhaps 111.

Branding Bottom Line:
7-Eleven is suddenly cool again.  And we remember to TiVo the Simpsons.

HBO Voyeur - Advertising with the lights on

July 13th, 2007

hbologo.jpgBrand: HBO (Time Warner)
Execution: Web Video Environment
Target: Web Influentials
Rating: ****
Reviewer: David Vinjamuri

Description:
This deceptively simple montage reveals a complex series of interconnected plots.  The website shows an apartment building.  Any of the apartments can be clicked on to reveal what’s going on inside.  The viewer can also zoom in or move forward in time.  As the viewer becomes more familiar with the environment it becomes clear that there are other buildings in the city that can be located and clicked on.  The plots are by turns odd, creepy (a ghost floats through the building at one point, a mortician photographs the dead), amusing and unexpected.  In addition to the website, Voyeur video can be found on HBO on demand, there is a blog and other ‘artifacts’ are rumored to be around the web.

What Works:
The old maxim in writing is “Show, don’t tell.”  Advertising is the living rebuttal of this line of thinking.  We are endlessly telling consumers what our products can do and depending on the strength of the brand and persuasiveness of our arguments to do the work.  When we demonstrate the products in an ad, we call that ’showing’ but its really still ‘telling’ since it is a contrived situation.

HBO confronts the problem of maintaining its leadership in cutting-edge television content as the Sopranos goes offline.  The post-Sopranos, post-Sex in the City network needs to burnish its reputation as an innovator in order to keep viewers tuning in to new series like “John from Cincinatti” and attract professional talent.

HBO Voyeur is an intriguing way of showing HBO’s ability rather than telling about it.  This advertising blog is calling it a ‘Web Video Environment’ simply because we don’t really have a name for what it is.  No other advertiser has done anything quite like this.

This is effective advertising for HBO because it is both innovative and well executed.  The web environment works seemlessly, and it is easy to get lost inside the web of interconnected plots.  The explicit voyeurism of the site points out what we know but don’t say about television itself - it is serial voyeurism.  Part of the appeal of all good television drama is seeing inside someone’s life without having them know we’re watching.

What Doesn’t:
The site only runs well with a very high speed connection.  Not recommended for hotel-room wi-fi, for instance.  We would like to see somewhat deeper plotlines and the ability to tune in dialogue rather than tunes.  This site is an exceptionally good way to waste three or four hours - if, say, you’re reviewing it.

Branding Bottom Line:
Reminds us why we love HBO.  Now if we could only see the Voyeur version of “The Office” …

Hillary Clinton and the Sopranos - Politics Gets Wise

June 26th, 2007

hillary.jpgBrand: Hillary Clinton
Execution: Viral Video
Target: Democratic Primary Voters
Rating: ****
Reviewer: David Vinjamuri

Description:
In a sendup of the series finale for the HBO hit ‘The Sopranos’, Hillary Clinton walks into a diner in New Jersey as the Journey song “Don’t Stop Believing” plays in the background. She sits down in a booth and browses a menu. She flips through the songs on a jukebox at the booth, which include Celine Dion, Shania Twain and Smashmouth. Bill Clinton walks in, in a casual shortsleeve shirt and sits down across from her. “Anything look good?” he asks. “We have some great choices,” she says. A waiter arrives and puts down a basket of carrot sticks. “I ordered for the table,” Hillary says and Bill looks despondent. “No onion rings?” he asks and Hillary responds, “I’m lookin’ out for you.” A menacing-looking guy at the counter looks at the pair. “Where’s Chelsea?” Hillary asks and we see a car inexpertly pulling into a parking space as Bill responds, “parallel parking.” The guy at the counter gets up as Bill asks, “How’s the campaign going?” Hillary responds, “Well, like you always say - focus on the good times.” Then the guy from the counter walks by the couple, stopping for a moment to coldly eye Hillary. The couple looks at each other and Bill shrugs. “So what’s the winning song?” Bill asks. “You’ll see,” Hillary answers. “My money’s on Smashmouth,” he says, “everybody in America wants to know how it’s going to end.” “Ready?” Hillary asks as she puts a coin in the jukebox and the screen goes black. The spot ends with the words “Find out the winning song at www.hillaryclinton.com/song

What Works:
Every four years, professional brand marketers get a fascinating opportunity to peek inside an alternate universe as national political campaigns build brands out of candidates. These campaigns are run by specialists who consistently flout every guideline for ad spend and media concentration that brand marketers have developed and tested for the past sixty years. For example, brand marketers know that a TV spot begins to wear out after 6 or 7 viewings and past that point it may start to have the opposite effect the marketer intends. Political campaign specialists don’t believe this - in fact they seem to think that seeing a spot 20 or 30 times might be optimal. Of course, we professional marketers think that these folks are just trying to chase the media tale - that elusive last 10% of TV viewers that watch so infrequently that they are nearly impossible to capture on network television. To reach these people at 3X frequency you have to oversaturate virtually everyone else. As marketers we also wonder why these campaign specialists don’t use viral media more effectively. After all, they’re operating in one of the highest-interest, highest-attention categories in the world during their ‘buying season.’  And we know these same people who watch little television spend a huge amount of time on the Internet.
All of which makes this tiny viral video from Hillary Clinton’s presidential campaign worth considering carefully. As wobbly as it looks from an executional standpoint, it has been extremely effective at garnering attention and moving the campaign conversation back to Senator Clinton. While political advertising on network television often looks like amateur hour, this unpolished viral video has all of the hallmarks of solid, professional brand marketing.

Why does this viral video work? By the numbers:

  1. Courts Controversy: As Hillary Clinton’s campaign seems to understand, loud voices transmit most effectively on the Internet. There are a number of designed elements of this video which beg for supporters or opponents to speak up passionately. First is the choice of casting Hillary Clinton as Tony Soprano - a mobster. This plays into the pre-existing views of the Republican opposition who could be expected to speak loudly about this fact - thus spreading the video and gaining the attention of the mainstream press. It is not lost on the campaign that these folks will not vote in the Democratic Primaries. A number of other small choices give fertile ground for conspiracy theorists to create conversations about the video - who is the goon looking harshly at Hillary? Is he part of some vast, right-wing conspiracy? Why would the campaign draw attention to Bill and Hillary’s relationship?
  2. Changes the Media Conversation: Lost in the debate over this video is the fact that the media could easily have spent last week with a different story on Hillary Clinton - how her song contest ended up picking a Canadian theme song for her campaign (by Celine Dion). This video is ostensibly luring voters to the campaign web site to view the video, but the real purpose is to bury that story under the weight of a new controversy.
  3. Reframes the Candidate: Solid brand marketing does not argue with consumer’s pre-existing beliefs about a brand. Instead, it embraces these views and then subtly subverts them by showing the positive side of seemingly negative qualities. Listerine is painful to use and tastes bad. When the brand tried to run away from this in the seventies and eighties, it failed. Only when it embraced the experience - as evidence that Listerine was ‘killing bad bacteria’ - did the brand succeed. Similarly, Hillary Clinton is embracing the stereotype of herself as a power-hungry candidate, but subtly recasting the issue. She is shown here as a patriarch, someone who is exceedingly competent and will take care of the family. It is a good bet that competence will be one of the primary voting issue for Democrats this campaign season.
  4. Addresses a Brand Issue: This spot also cleverly redefines the relationship between Bill and Hillary Clinton as she looks forward to a general election. The problem here is that Hillary Clinton needs ex-President Bill Clinton to win the race, but she cannot risk being seen as his pawn or part of a dynasty. If Al Gore made a mistake by running away from President Clinton after the Monica Lewinsky scandal, Senator Clinton cannot make the same mistake. In this spot, when Bill Clinton asks the question, “How’s the campaign going?” we are given a recast version of the Bill/Hillary relationship. He is supportive, available and engaging, but not in control - not involved on a daily basis.

What Doesn’t:
It’s safe to say that Senator Clinton won’t be able to pay the bills as an actor should her Presidential bid fail. Bill Clinton, on the other hand shows some promise. It is also a risky proposition for the campaign to raise the issue of the relationship between Bill and Hillary Clinton, as the trickiest question for the general election would be the vision in voters minds of a White House inhabited by two occupants, one called “Madam President,” and the other by right and tradition, “Mr. President.”

Branding Bottom Line:
Love them or hate them the Clintons have stolen four days of the national debate from their political rivals.